王时伟：倦勤斋是乾隆审美喜好的浓缩表现

王时伟：倦勤斋是乾隆审美喜好的浓缩表现

WANG SHIWEI∶Juan Qin Zhai is a condensed expression of Qianlong's aesaesthtic preferences

As the centerpiece of the fourth west-side room, the trompe-l'œil mural represents one of the finest artistic and cultural achievements of the Qing dynasty in its best days. Other imperial sites, such as the former imperial garden Yuanmingyuan and the Jianfu Palace within the Forbidden City, also housed European-style paintings, which were unfortunately destroyed.

倦勤斋“通景画”浓缩了大清朝盛世的文化精髓，同时是西四间建筑布局的重中之重。原本，圆明园和故宫建福宫也有这种带有欧洲艺术基因的画作，后来不幸全被销毁。

WANG SHIWEIChief engineer of the Department of Ming and Qing Dynasty Architecture at the Palace Museum, and head of the Feng Shan Si (Singapore) Conservation Project, which won the Award of Excellence in the 2010 UNESCO Asia-Pacific Awards for Cultural Heritage Conservation王时伟故宫古建部总工程师，主持新加坡凤山寺保护项目并获联合国教科文组织亚太区2010年卓越奖

Nihao: Will the studio last long after this conservation?

W: It will, theoretically. As the suite is a closed space, we added an air circulation and filtration system to keep out some harmful substances in the air such as dust so that their impact on indoor items can be minimized. We also designed another system to keep the indoor temperature and humidity under vigorous control in an effort to slow down material aging and deformation.

Nihao: How did Qianlong Emperor blend the Jiangnan style of gardening into his garden?

W: Qianlong Emperor drew on the practices of many private classical Chinese gardens in terms of the arrangement of rocks, plants, water and other key elements.

Like other classical Chinese gardens, the Qianlong Garden features winding paths, which lead visitors from one unique vantage point to another. Despite its small size, the Qianlong Garden is a very distinctive imperial garden with its proper layout of architecture and courtyards.

Nihao: 这次倦勤斋修复完了以后，是否能维持比较长的时间呢？

王：理论上是的。倦勤斋室内做了密封设计，我们在室内加装了循环过滤系统，用以过滤空气中的一些有害的物质，比如尘埃，使空气中有害物质对文物的影响就少多了。同时我们设计了严格的温湿度控制系统，延缓材质老化、变形。

Nihao: 乾隆是如何将江南园林风格融入到乾隆花园里的？

王：乾隆造园的手法借鉴了许多私家园林的做法，比如置山、叠水，置景，融会贯通地展现了中国古典造园的几大原理。在第一个院，进入衍祺门，满眼是山亭错落；绕过山亭以后，视线豁然开朗。

在具体的造园置景设计方面，乾隆花园讲究曲径通幽，步移景迁，处处见景……到了第三个院落，园内叠满山石，山上山下以及周围建筑浑然一体，让人想起了“狮子林”。虽然乾隆花园是一个较狭小的、仅10亩地的迷你空间，但建筑与院落的摆放张弛有道，和而不同，是特色鲜明的皇家园林。