十和田市民会馆，青森，日本Towada Civic Center Plaza, Aomori, Japan, 2014

建筑设计：隈研吾建筑都市设计事务所

Architects: Kengo Kuma and Associates

十和田市民会馆，青森，日本
Towada Civic Center Plaza, Aomori, Japan, 2014

建筑设计：隈研吾建筑都市设计事务所

Architects: Kengo Kuma and Associates

1 外景/Exterior view

这座木建筑是为人们集会而建的城市社区中心。建筑师在立面上使用了重复的屋顶，使之与周围小房子的城市风貌融为一体。在外墙上，护壁板之间留出了距离，向北侧的街道展示出温暖亲切的一面。建筑前面的街道延伸到室内，并由此得名“街道广场”。它的周围布置着儿童游乐室、烹饪坊和榻榻米房间。□（尚晋 译）

This wooden building was constructed as the city's community center for people to gather. We repeated the roofs for the façade so that it could merge into the neighbouring townscape of small houses. On the exterior wall, wainscot panels are applied with spaces in between, and it expresses a warm and friendly face to the street of the land to the north. The street in front of the building actually extends into the interior, and is given the name "Michi-no-Hiroba (plaza for the street)", around which a children's playroom, cooking studio and tatami room are arranged.□

2 西立面/West Elevation

3 东立面/East Elevation

4外景/Exterior views

5 外景/Exterior views

项目信息/Credits and Data

主要功能/Principal Program: 社区中心/Community Centre客户/Client: 十和田市/Towada City

结构设计/Structure Engineering: 佐藤淳构造设计事务所/Jun Sato Structural Engineers

织物设计/Textile Design: 隈研吾建筑都市设计事务所，安东阳子设计/Kengo Kuma and Associates, Youko Ando Design

基地面积/Site Area: 5774.16m2

占地面积/Building Area: 1875.37m2

建筑面积/Floor Area: 1846.97m2

设计时间/Design Period: 2012.01-2013.02

施工时间/Construction Period: 2013.07-2014.10

摄影/Photos: 长谷川健太/Kenta Hasegawa

6 平面/Plan

7 内景/Interior views

8 内景/Interior views

9 内景/Interior views

10 内景/Interior views

11剖面/Sections

12 剖面/Sections

13 内景/Interior views

评论

何可人：亲切而朴实无华的市民场所，和周围的环境和谐共处，甚至连项目说明都跟建筑本身一样简洁没有任何修饰之处。唯一可说的便是入口将室外的场地材料引入室内，内部不规则的房间形成具有动态的入口大厅和大小不同的公共空间。隈研吾这种“消失”的建筑概念，以及“同一屋顶下”的设计策略几乎是放之四海而皆准，似乎适用于各种情境。这也符合全球经济迅猛发展之后，人们对于环境的关注，从而思考建筑是否应该转向低调的“消隐”。西方人会认为这样的策略更加“东方化”，这也正是隈研吾的成功之处。而中国当代的“东方化”策略应当如何？官方和民间是否还处在后现代的“矫情”之中？我们是否也到了该认真讨论的时候？王昀：一系列拥有地域性形态特征的折板下方，覆盖着街道空间和市民会馆的室内部分。在“整体”与“部分”的相互切换中，造成一种暧昧的空间感受。室外是室内的“反转”的同时，室内房间中的等高线地形又让人感觉如同室外的状态，这一切是这个设计的匠心所在。延续着“暧昧”的主题，进一步将主入口的概念模糊处理，便于市民从四面八方的聚集。

Comments

HE Keren: A very intimate and austere civic place creates great harmony with the surroundings.Even its project description is as simple as the building itself, no unnecessary renderings. The only mentioning here is that the entrance introduces the outdoor paving into the interior, and helps to shape the various-sized, irregular public rooms and the dynamic lobby space. Kengo Kuma's concept of"disappearing" architecture, and his design strategy of "under one roof" seems being able to apply to anywhere, anytime, in any circumstances. This matches the global reflection on architecture and environment after the rapid economic growth. Should architecture be disappearing? Kuma's success relies on his "oriental" approach in the eyes of the westerns.While what would be Chinese architects' approaches in terms of "orientalisation"? When in China the official and secular tastes in architecture still linger among the post-modernist "kitsch", is it time now to give it a serious consideration?

WANG Yun: Below the folded plates that have regional morphological features are street spaces and the indoor space of Towada Civic Center Plaza. The switches between the "whole" and "part" result in an ambiguous space perception. The outdoor space is the"reverse" of the indoor space, at the same time, the indoor contour terrain makes people feel like staying out of doors, all of which are the ingenuity of the design. Continuing the theme of "ambiguity", the main entrance is further obscured to facilitate the public coming from everywhere to gather together.

14 内景/Interior views

15内景/Interior views

16 内景/Interior views