商墩江
摘 要:在现代戏曲发展过程中,人们对于戏曲舞台的表演形式有了更高的追求,其重要性更是不可替代。舞台布景在现代戏曲中的从属被动地位正在发生变化,围绕着戏曲表演的意境和空间氛围挖掘自身的潜力,相互配合渗透。它不仅表达了戏曲场景的具体地点和环境氛围,更深层次揭示了戏曲蕴含的意境。其舞台布景样式在尊重剧本与观众审美品位的基础上,结合多媒体表现手段,舞台布景样式逐渐从平面化向立体化、高科技化的的方向发展。从戏曲舞台空间形式和表现手段上促进现代戏曲舞台美术设计的传承和发展。?
关键词:布景样式;现代戏曲;舞台美术设计
检 索:www.artdesign.org.cn
中图分类号:J0 文献标志码:A 文章编号:1008-2832(2016)11-0054-03
The Enlightenment of the Set Pattern to the Modern Drama Stage Art Design
SHANG Dun-jiang(Xiamen University Tan Kah Kee College, Zhangzhou 363105,China)
Abstract :In the development of modern Chinese opera, people have a higher pursuit of the performing form of the traditional opera stage. The stage scenery in the modern drama in the passive position of the passive position is changing, around the opera performances of the artistic conception and spatial atmosphere to tap their potential, mutual coordination and infiltration. It not only expresses the specific location and atmosphere of the drama scene, reveals the artistic conception. On the basis of the respect of the script and the audiences aesthetic taste, the stage set style is gradually changed from plane to three-dimensional, high technology and high technology. To promote the inheritance and development of the modern drama stage art design from the space form and the expression means of the drama stage.
Key words :sets the style; modern drama; stage art design
Internet :www.artdesign.org.cn
一、戏曲舞台美术现状及布景样式
在中国传统文化的传承中,戏曲作为一种特有的表现形式。这种演艺形式从产生到发展的过程中一直保持着特有的个性。而在这种独特的表演形式中,戏曲舞台布景作为戏曲表演的重要载体,在人们的现代生活审美形式中渐行渐远。传统戏曲中,人们认为“布景在演员身上”,表演者运用肢体语言来表达布景含义,例如,通过走一圆圈代表“翻山越岭”,通过双手往外推代表“开门”,通过跳跃迈步代表“过溪流”……这些具有典型抽象意义的表演使人们认为舞台布景对戏曲表演的重要性不高,更有甚者认为过于具象的舞台布景容易造成景与表演的重复和矛盾,影响演员在戏曲舞台空间的自由发挥,降低了观众的自由想象能力。