《怀仁集王羲之圣教序》技法解析（二十七）

文︱邵泳中

左右结构（十）images/BZ_49_540_388_660_512.pngimages/BZ_49_720_388_836_512.pngimages/BZ_49_1250_384_1375_516.pngimages/BZ_49_543_571_657_698.png左右相背，动态感十足，注意相互对称，重心稳定。images/BZ_49_723_571_834_698.pngimages/BZ_49_1253_567_1372_702.pngimages/BZ_49_534_749_666_875.pngimages/BZ_49_716_749_840_875.pngimages/BZ_49_1246_744_1379_880.pngimages/BZ_49_547_928_653_1059.pngimages/BZ_49_722_929_834_1059.pngimages/BZ_49_1252_924_1373_1063.png左中右结构（一）images/BZ_49_539_1222_647_1346.pngimages/BZ_49_721_1228_830_1352.pngimages/BZ_49_1254_1224_1371_1357.pngimages/BZ_49_537_1406_650_1532.png既有中间略小两边长的组合，也有中间突出的组合。注意每个部分的宽度。images/BZ_49_718_1411_833_1538.pngimages/BZ_49_1251_1407_1374_1543.pngimages/BZ_49_525_1583_662_1710.pngimages/BZ_49_713_1589_839_1716.pngimages/BZ_49_1245_1584_1380_1720.pngimages/BZ_49_536_1762_651_1893.pngimages/BZ_49_715_1769_836_1899.pngimages/BZ_49_1248_1765_1377_1903.png左中右结构（二）images/BZ_49_536_2055_664_2179.pngimages/BZ_49_713_2049_851_2173.pngimages/BZ_49_1239_2045_1386_2177.pngimages/BZ_49_545_2238_655_2365.png三部分的组合，根据每个部分的特点，合理分配所占空间。images/BZ_49_725_2232_839_2359.pngimages/BZ_49_1251_2228_1374_2363.pngimages/BZ_49_541_2415_659_2542.pngimages/BZ_49_721_2409_842_2536.pngimages/BZ_49_1248_2405_1377_2541.pngimages/BZ_49_534_2595_666_2725.pngimages/BZ_49_721_2590_843_2719.pngimages/BZ_49_1247_2585_1378_2724.png