普里斯马-肖恩多夫休息站

设计：schneider+schumacher (Till Schneider)

摄影：© Jörg Hempel

空间雕塑“棱镜”-德语中的棱镜-是为纪念施耐德和舒马赫对肖恩多夫市的贡献，展出于2019 年Remstal花园展。四点六线的几何最小体设计聚焦于雷姆斯塔尔特别的自然景观，是观察、流连和凝视远方的好去处。

为顺应自然规律，四面体形状的棱镜体建在大片葡萄树线性结构的中间，堡垒底部上升一定角度，并采用集成材面板建造。景观两面设计截然不同：水平开口朝向山谷，可以望到肖恩多夫教堂。垂直的开口为入口处，面向葡萄园小路，斜坡和上方的树林。

最初入口朝西，山谷方向的来客不能进入。外部的实用性与内部明亮色彩形成截然对比。外部为中规中矩的木板造型，堪称广泛可见的地标，而内部为红色涂层，营造了亲密和温暖感。两道狭缝光线照亮空间，画框一般凸显了自然景观，从而强调框架部分的感知。

The spatial sculpture "Prisma"–prism in German–is schneider+schumacher's contribution to the city of Schorndorf as part of the Remstal Garden Show 2019.The design focuses on the special landscape space of the Remstal and,with the geometric minimal body consisting of four points and six lines,forms an accessible place to discover,linger and gaze into the distance.

In the midst of the linear structure of the vines,halfway up the slope,the tetrahedron-shaped prism rises on a found bastion,which,in order not to compete with nature,is constructed of glulam panels.It takes up two opposite references to the landscape:The horizontal opening is oriented towards the valley with a view towards the Schorndorf church.The vertical opening creates the entrance and faces the vineyard path,vineyard slope and the forest above.

Access to the interior–initially hidden from visitors coming from the valley–is from the west side.Exterior and interior effects are formulated as contrasts and underlined by the materiality and colorfulness.To the outside,the room sculpture presents itself as a widely visible landmark with a comparatively ordinary wooden boarding,while inside it creates intimacy and warmth with a red coating.The space is lit through the two slits,which,like picture frames,focus the views of the landscape and thus emphasize the perception of the framed sections.