北昆士兰州热带博物馆

该博物馆是北昆士兰博物馆的扩建。它体现了北昆士兰州的4个特点：文化,航海，自然发展的历史和丰富的珊瑚。

博物馆的中心是HMS潘朵拉，潘朵拉是一只在昆士兰北端海面失事的著名船支，1790年，它被派遣去捉拿船长布莱的HMS赠礼的叛变者。到达后，潘朵拉船长埃德瓦德被告知，赠礼被9名叛变者掠走，岛上其余的人被抓，带上镣铐，关在船上。但潘朵拉并不是一只关押犯人的船。埃德瓦德用一只囚笼(潘朵拉盒子)关押犯人。因为找不到目的地，埃德瓦德只好通过澳大利亚与新几内亚之间的因代沃海峡，返回英格兰。该船于1791年8月29日撞到堤礁沉没。

竖向布置

潘朵拉文物分几个阶段搜集，不能重建。积极抢救文物的过程，体现了再现历史的理念。船体已按足尺寸复制，放在12m 高的展馆内，其余平面印在地板上。展馆的屋面为连续三维曲面板，建在前人类洞穴，表现博物馆主题。

建筑有一内盒(潘朵拉盒子)，装在破碎的盒子内，象征遇难船。内盒中有主题展馆。宽敞的大厅内有儿童展馆和教育区、公共活动区和餐馆。展馆竖向布置在裙楼之上。馆长室和仓库在群楼之内。

沿街立面有一过渡，和相邻角落历史建筑统一。色彩有助于吸引观众。博物馆的材料和质感，使人对历史产生感触。

（刘河译）

This museum is an extension of the Queensland Museum and focuses upon four primary aspects of north Queensland history - indigenous culture, maritime history, natural history and coral collections.ts centrepiece is the HMS Pandora, the famous vessel shipwrecked off the far northern tip of Queensland. In 1790, the ship was sent to Tahiti to capture the mutineers from Captain Bligh‘s HMS Bounty. On arrival, the Pandora‘s Captain Edwards was informed that the Bounty was sailed away by nine mutineers; the remainder on the island were captured and put in irons on Pandora. Since Pandora was not designed to be a prison ship, Edwards had a cage (known as Pandora‘s Box) built to hold the prisoners. Having tried in vain to find Fletcher Christian, Edwards began the return journey to England via the Endeavour Straight between Australia and New Guinea, but struck the Barrier Reef and sank on 29 August 1791.Pandora relics are being collected in stages and are insufficient to reconstruct the vessel, but the active process of salvage gives meaning to the concept of a ‘living museum‘.The bow of the vessel has been replicated at full scale and is housed in a 12 metre high gallery with the remainder of the plan imprinted across the gallery floor.This gallery is roofed by a continuous three-dimensional curved ‘sheet‘ which carries down over the building podium onto struts, the structure a parody of rigging, inverted hulls and sails, as well as discernible metaphor for the indigenous ‘lean-to‘ or the ribbed cage of prehistoric creatures - recalling the main themes of the museum.The building contrasts an internal box (a ‘Pandora‘s box‘) encased in ‘broken‘ forms evocative of shipwreck.The internal box houses the main themed galleries, the more exuberant spaces accommodating children‘s‘ gallery and education areas, public facilities and café.The galleries are elevated above a podium containing the curatorial and storage areas, which can be glimpsed through narrow slots from the wharf side of the museum.On the street side, the elevation is graduated from it‘s ‘deconstructed‘ end through a series of transitions, to unify at the other end with an abutting historic corner building. Colours perform an important role in attracting visitation, used selectively against raw materials, and textures are introduced to induce a tactile as well as visual response to history through the museum.

位置图

(图3)立面图(图4)剖面图

首层平面

外观

与周围环境的关系