文艺，散发一种怎样的味道

香港作家周洁茹写美国赫斯特家族的古堡，细细描述那些“散发着浓郁气味的古董”，用这样的语词描述当下的文艺交流样态，非常贴切。在留尼汪这个“印度洋的屋脊”展现青藏高原“世界的屋脊”的摄影、美术与表演艺术精华，或者从德国指挥家指挥于魁智的京剧《大雪飘》所衍生的“文化碰撞”，是艺术交流的鲜活味道；当代中国观众如何从文物与艺术作品中体味100年前影响绵延深远的十月革命，当代人如何观照“吴门四家”的风华流变，或者丽水国际摄影节上关于VR的世界摄影人大讨论，那些或许都是文艺交流散发出的不同“味道”。

12月中旬，台湾著名诗人余光中去世。1971年，20多年未曾回过大陆的余光中思乡情切，在台北厦门街的旧居里写下《乡愁》。40多年，这首诗在海内外华人间被广为传诵。如今再读《乡愁》，可以说，它也凝固成为一种浓郁的文化味道。文艺交流的味道到底是怎样的，或许只有那些情绪极其细微敏感的人才能捕捉得到——这是不同文艺感官之间的跨越。

In the article of Hong Kong writer ZHOU Jieru concerning the Hearst Castle, it deliberately describes those antiques with a strong smell, closely relating to the present statue of exchange of literature and art. The essence of photography, art and performing arts of Roof of the World, the Tibetan Plateau presented at La Réunion, the Roof of Indian Ocean, or the culture collision derived from the Peking OperaGreat Snowof YU Kuizhi conducted by a German artist is the fresh taste of art communication. How the Chinese audiences appreciate the far-reaching October Revolution from the cultural relics and artworks with a 100-year history, how the modern people admire the evolution of Four Great Painters of Wu School,or the unprecedented discussion amongst global photographers concerning VR at Lishui international photography festival, these all might be the diverse Taste of literature and art.

YU Kwang-Chung, a renowned Taiwan poet passed away in mid-December. The poet in a homesick mood, who hasn’t returned the Chinese mainland for over 20 years, wrote down theNostalgiaat his former residence in Xiamen St., Taipei in 1971. The poem enjoys most high reputation amongst global Chinese people for more than 40 years, in other words, it also solidifies into a strong taste of culture. What is the taste of literature and art exchanges?Perhaps it can only be caught by people with much subtleness and sensitiveness—— marking a leap between diverse senses of literature and art.